Touching The Void - First Film Review

Visually stunning with footage from Siula Grande in Peru

Meanwhile back at the base camp metropolis, Simon Yates is calming Joe's fiancee, played by Cameron Diaz, while she hysterically accuses him of having cut the rope in order to land a massive BMC insurance policy pay out.

Okay, stop there.

We were lying, but given the track record of climbing films on the big screen it wouldn't be entirely surprising if if things weren't, erm, entirely realistic. The good news is that Touching The Void, the film, is both utterly faithful to Simpson's gut-wrenching, gripping, epic book and, if anything, even more powerful and visceral. Arguably, we think, the best climbing film ever made.

Filming in genuine alpine conditions with temperatures down to minus 20C and superb stuntwork coordinated by Brian Hall mean that the actors really look like climbers

Visually Stunning

The film is visually stunning - the starkly realistic climbing sequences and stunts were filmed in the Alps and you can feel the security or otherwise of every axe placement. Even better, a 20-person film crew actually returned to Siula Grande, in Peru's Cordillera Huayhuash to shoot the actual face, for some incredible, never before seen shots of the face itself and the base camp valley and glacier.

The climbing shots were filmed in the Alps with dramatic results

Straight to Camera

It's also the first time, to our knowledge, that Simon Yates has talked directly about his part in the story, meaning that the film, for once, actually adds to the book. It's fascinating too to see Richard, the grinning trekker, seemingly as bemused now by the whole thing as he appears to have been when it happened - a neat illustration of the differences between those who choose to tackle hard mountains and 'normal' folk.

Brendan Mackay the actor playing Joe Simpson - it's a tribute to the film that the boundaries between reality and fiction become increasingly blurred

Somehow the knowledge that the gut-churning impact of Simpon's initial fall, you hear the egg box crack of his leg snapping, happened to a real person, makes the accident reconstruction more horrifically real than anything Hollywood can come up with. After a while you forget that these are actors playing Joe and Simon and start to believe that the figures on the screen are the real climbers there and then.

The crevasse scenes put Simpson's plight into chilling perspective

The strength of the visual medium adds real power to the story. Simpson's crevasse escape was actually filmed inside a crevasse and really brings home the crushing hopelessness of his position deep inside the glacier. Similarly aerial shots of his crucifyingly slow progress down the jumbled glacier make you realise just what he was up against.

Even Simpson's slow descent into a state of waking nightmare is brought vividly to life using a combination of aural and visual effects, including the compulsive reptition of Boney M's 'Brown Girl In the Ring'. And finally the climax is every bit as powerful and moving as it is in the book.

On the glacier. Frightening perspective

We could blather on about Touching The Void, but the simple message is that this is simply a superb docu-drama representation that takes the skeleton of Joe Simpson and Simon Yates's story and adds gripping, evocative flesh to those bones.

The film took two years to make and it shows. It's visually stunning, but always realistic and the constant presence of the real people involved in the drama, through voice-overs and head and shoulder interview shots means you never forget that this is a real story. In short it's a triumph that for once is every bit as good as the book. Just go and see it.

Joe and Simon today, both still very definitely alive.

For links to previous OM articles on TTV and about and by Joe Simpson, scroll to the bottom of this page.

The film has a gala premiere at the Kendal Mountain Film Festival over the weekend of 14 / 15 November, but all showings at Kendal are now sold out.

Fortunately there's not too long to wait with the fim scheduled for general release from 12 December. The first cinemas due to show it are listed below:

London

• Odeon, Covent Garden
• Ritzy, Brixton
• Phoenix, East Finchley
• Gate, Notting Hill
• Other Cinema, Rupert Street
• UCI thefilmworks, Greenwich
• UGC, Shaftsbury Avenue
• UGC, West India Quay
• UGC, Fulham Road
• Odeon, Swiss Cottage
• Filmhouse, Richmond - 19/12/03
•  

Regional

• Phoenix, Oxford
• Tyneside, Newcastle
• Picturehouse FACT, Liverpool
• Ster Century, Leeds
• Cameo, Edinburgh
• Picturehouse, Cambridge
• Showroom, Sheffield
• Watershed, Bristol
• UCI thefilmworks, Manchester
• UGC, Enfield
• UGC, Birmingham Broad Street
• UGC, Sheffield
• UGC, Didsbury
• UGC, Edinburgh
• UGC, Glasgow Renfrew